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I would have preferred
white tulips but I've no way of telling her. I'm the one who has to
sit here with flowers in his lap like a soft git and I can't even
choose what kind of flowers they are. I mean it's only fair. If I'm to
be laughed at, then it's only fair that I should be able to define the
parameters of my ridicule.
She wouldn't think of
that, though. All she's thinking about is him. The flowers are for
him, this poxy journey is for him, for his memory. Poor Billy, how
fondly we all remember you. She didn't even acknowledge my existence
while Billy was here because he was the maternally omnipresent
prodigal son. Everywhere she went, she spoke of her perfect, beloved
Billy. She lived for his gratification.
"Here's your tea,
Billy."
"I washed your jeans,
Billy."
"You go out and enjoy
yourself, Billy, son."
He loved all that
attention, I know he did. You should have seen him, never saying
thanks, shouting at her if his tea was only five minutes late. He used
her as a utility and she loved him for it.
I know this place, not
so far from where we live but far enough. She's pushing me through the
shadow of a grey tenement building, ominous and foreboding in its
gloom. It's like that scene from Star Wars when C3PO and R2D2 are
being watched by the Jawas in the caves. My mother is the tall one
with that ridiculous shiny gold raincoat that she loves (Billy bought
it for her one Christmas as a joke) while I trundle along on my R2D2
wheelchair. I feel like our every move is being watched by the dark
inhabitants of the tenement and, if I look hard enough, I can almost
imagine red glowing eyes following us from its recesses.
I'm not scared,
though. Just very embarrassed with these stupid daffodils. Every year
she makes me hold them while she pushes me to that place. If I could
complain I would, but feeble grunts, a complaint do not make. I sit
here, head lolling like one of Billy's old discarded action-men with
the daffs laid across my matchstick lap, unable to affect even the
slightest part of my own destiny while she parades me through this
hostile settlement on her way to the place of Billy's demise.
I see a group of
huddled children giggling and pointing and a group of huddled men, too
busy with their clinking booty to even notice us and then I see the
sky. She's tipped me
backwards to bump my
chair off the kerb and I catch a glimpse of the teeming clouds. So
many different shades of grey, it makes me think of an artist's
pallete belonging to one who has made his home in a monochrome world.
I wish I could speak.
I'd ask Mother to wipe the dribble from my mouth and I'd apologise for
being so useless. Perhaps, then she would be kinder to me. She shouts
when I can't do things and sometimes she hits me. Not hard of course,
just her fingernails nipping the lobe of my ear or a slap across my
face . I don't really feel anything because my nerves don't work so
well. She drew blood from my ear once because I knocked Billy's
picture off the coffee table and that was a bit sore. I didn't mean to
do it but now and then my limbs move when I don't want them to.
She can't help loosing
her temper with me, I suppose. She probably thinks back to Billy,
filling her life with his teenage needs and demands and always on the
go but now all she has is me, a twenty six year old baby in a
wheelchair that demands care on a lower and much less desirable level.
No-one comes to see
her anymore. Someone did once, not long after she lost Billy, a woman
who looked at me with pitiful eyes as she spoke.
"I so sorry about what
happened to your Billy, Mrs Turner." the woman said and my Mother
smiled bravely. Then my arm decided to stretch itself and knocked the
woman's tea all over her. She screamed and my Mother screamed and they
both stood up. I wanted to apologise but I couldn't so I just sat
there like a soft git. The woman looked at me but her pity had changed
to hatred. She called me an evil little sod while Mum was in the
kitchen fetching a sponge to wipe the tea from her blouse and then she
left. Nobody else visited after that.
My wheelchair stops;
we've arrived. This is the scene of Billy's departure from life.
Syringes litter the stained concrete and whispering voices waft from
the shadows on either side of us. Someone might come and shout at us
or demand money from us but I don't care. That happened three years
ago, some guy wanting dosh but she told him in a tired voice that we
had nothing and that he could do what he liked. He looked at me with
that desperate drug expression and then started crying. That was it.
We just left him crouched in his narcotic self-pity beside our flowers
and went home.
Looks like we'll be
left at peace this year, though. She's telling me to toss the flowers
on the ground and I'm trying. She has her mouth right up against my
ear and she's shouting the instruction and I'm really trying, honest
but my stupid arm won't do as it's told.
She always shouts. I
don't think she realises that I can understand her perfectly well,
it's just that my body doesn't respond to her or my wishes. She thinks
I don't understand though. She thinks I'm stupid but I'm not.
Let's show her. I'll
toss these flowers if it kills me. C'mon now, concentrate, you can do
it.
Too late, she's
slapped me and taken the daffodils. I watch her place them on the spot
where Billy took his overdose, the spot where he was found lying
unconscious among the black plastic council refuse bags with the
syringe still hanging from his arm like some piece of weird jewellery.
I remember she made the police show her the exact location so that she
could indulge in this annual ritual of remembrance, dragging me along
with her to bear the brunt of her frustration and grief.
I can smell urine and
rotting waste and I watch her devote a few brief sobs to her son.
"This is where it
happened, you know." she shouts at me. A female voice giggles from the
shadows on our right. I know this is where it happened. I know why
we're here.
"It could all have
been so different." she says, distantly. Don't I know it. Billy was my
kind of guy, always joking and laughing and bringing life to our
house. No-one was sorrier than I when he took the overdose, believe
me.
"Right, let's get you
back for your tea." she says when the sobs have subsided and turns me
around. I hate teatime because she always makes me try to eat it
without any assistance and that only serves to spread most of the food
over my face, my clothes and the carpet. Perhaps she knows that this
will happen and it's her way of subtly punishing me for my
disabilities.
She seems to hate me
so but I can't help the way I am. I'm really not stupid and I wish
that she would stop treating me as if I was. She shouts everything at
me as if I don't even know my own name. If only I could speak, I'd
prove to her that I do know my own name. I'd look her straight in the
eye, take a deep breath and shout my name at her.
I'd shout, I KNOW MY
NAME, MY NAME IS BILLY TURNER!
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